KIMA Creative
A Brooklyn rooftop at dawn with water towers and the Manhattan skyline
AI-generated image (Google Gemini).

Order and security for the work you rely on.

Thirty-three years behind a camera taught me to find the shot and catch trouble before it reached the frame. Now I trace how your work moves, strengthen the care around your files, and leave you with clear steps you can follow without me.

Talk to me
An empty studio at night, lit by one warm work lamp
AI-generated image (Google Gemini).

Where I've been

I was a cameraman in film and television, on studio floors and live shows on location, all over the world. A cameraman learns to watch the whole frame: to find the shot, to stay ready, and never to overlook what sits just outside it. The cable nobody taped down, until someone trips on it. The handoff nobody owns, until the show is waiting on it. The file nobody backed up, until it is the one everyone needs. I spent a career catching those things early, and that habit is what I bring to you.

Live work has no second take. You prepare, you check, and you leave nothing to luck. So I look for the three places a day goes wrong: the step done twice, the handoff with no owner, the file with no safe copy. Then we fix all three.

View from under the elevated train tracks, Bushwick Avenue, Brooklyn, 1974
Under the el, Brooklyn, June 1974. Danny Lyon, DOCUMERICA, U.S. National Archives. Public domain.

Why now

The tools changed. The need did not: clear files, safe copies, honest handoffs. AI is one tool, not the starting point. We begin with a repeated task and three tests: does it save useful time, keep private information protected, and leave a person responsible for the result? If it fails, we leave it alone. If it passes, I test it against the old way and write down each step, so you stay in charge.

How I work

I work plainly: show up prepared, name the problem, do the job, and tell you when something is outside my reach. Work should support a life, not swallow it. Your time should not disappear into missing files, repeated steps or systems nobody understands. If that is happening, we fix it.

Children on brownstone stoops behind wrought-iron fences, Brooklyn, 1973
Brooklyn, May 1973. Suzanne Szasz, DOCUMERICA, U.S. National Archives. Public domain.
A Brooklyn avenue under the el in morning light, 1970s style
AI-generated image (Google Gemini).
A 1970s Brooklyn family kitchen with a Formica table and a wall phone
AI-generated image (Google Gemini).

Gear shop

I'm also selling my own working kit, piece by piece, each item honestly described and shown as it really is. Browse the listings now; sales open in January 2027.

See the gear
Two small pairs of sneakers by a wooden front door
AI-generated image (Google Gemini).

Talk to me

Send me a short note. Tell me what kind of work you do, the part that keeps slowing you down, and what you have already tried. I read every note myself, and I reply with a clear next step, even if that step is pointing you to someone else. We start with a conversation, not a sales pitch.

Write to me